Darkness at Noon
(eAudiobook)

Book Cover
Average Rating
Published
Recorded Books, Inc., 2016.
ISBN
9781501928161
Status
Available Online

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Physical Description
8h 16m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Arthur Koestler., Arthur Koestler|AUTHOR., & Frank Muller|READER. (2016). Darkness at Noon . Recorded Books, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Arthur Koestler, Arthur Koestler|AUTHOR and Frank Muller|READER. 2016. Darkness At Noon. Recorded Books, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Arthur Koestler, Arthur Koestler|AUTHOR and Frank Muller|READER. Darkness At Noon Recorded Books, Inc, 2016.

MLA Citation, 9th Edition (style guide)

Arthur Koestler, Arthur Koestler|AUTHOR, and Frank Muller|READER. Darkness At Noon Recorded Books, Inc., 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDf7d9282f-6b5a-11de-cdc0-4452941fa70b-eng
Full titledarkness at noon
Authorkoestler arthur
Grouping Categorybook
Last Update2024-03-27 21:55:45PM
Last Indexed2024-03-28 04:25:47AM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 14, 2022
Last UsedMar 23, 2024

Hoopla Extract Information

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    [synopsis] => A fictional portrayal of an aging revolutionary, this novel is a powerful commentary on the nightmare politics of the troubled 20th century. Born in Hungary in 1905, a defector from the Communist Party in 1938, and then arrested in both Spain and France for his political views, Arthur Koestler writes from a wealth of personal experience. Imprisoned by the political party to which he has dedicated his life, Nicolas Rubashov paces his prison cell, examining his life and remembering his tempestuous career. As the old intelligentsia is eradicated to make way for the new, he is psychologically tortured and forced to confess to preposterous crimes. Comparing himself to Moses, led to the Promised Land but refused entry, he sees only darkness at the end of his life where once he saw such promise for humanity. Frank Muller's narrative expertise is perfect for this haunting work. Rubashov's personal agony becomes Muller's as he presents Koestler's relevant and important questions to a world entering a new millennium.
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