Miss Anne in Harlem: The White Women of the Black Renaissance
(eAudiobook)

Book Cover
Average Rating
Published
HarperAudio, 2014.
ISBN
9780062347565
Status
Available Online

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Physical Description
13h 34m 40s
Format
eAudiobook
Language
English

Citations

APA Citation, 7th Edition (style guide)

Carla Kaplan., Carla Kaplan|AUTHOR., & Liisa Ivary|READER. (2014). Miss Anne in Harlem: The White Women of the Black Renaissance . HarperAudio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carla Kaplan, Carla Kaplan|AUTHOR and Liisa Ivary|READER. 2014. Miss Anne in Harlem: The White Women of the Black Renaissance. HarperAudio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carla Kaplan, Carla Kaplan|AUTHOR and Liisa Ivary|READER. Miss Anne in Harlem: The White Women of the Black Renaissance HarperAudio, 2014.

MLA Citation, 9th Edition (style guide)

Carla Kaplan, Carla Kaplan|AUTHOR, and Liisa Ivary|READER. Miss Anne in Harlem: The White Women of the Black Renaissance HarperAudio, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID7abd3223-62d5-92c9-5f1e-a76add22ef32-eng
Full titlemiss anne in harlem the white women of the black renaissance
Authorkaplan carla
Grouping Categorybook
Last Update2024-04-24 04:20:03AM
Last Indexed2024-04-24 06:37:12AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 10, 2024
Last UsedJan 10, 2024

Hoopla Extract Information

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    [synopsis] => New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed "Miss Anne." Sexualized and sensationalized in the mainstream press-portrayed as monstrous or insane-Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for "exotic" dancers and "hot" jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women-many from New York's wealthiest social echelons-who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst-all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now. In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations-and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan's formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.
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